Contact
Quick Menu
Socials
© 2021 by The Blob Studio
PPFF is supported by:
Art
.jpg)
Female artistic auteur cinema is based on the cinema of participation, love, and the co-interpretation of both the individual and social voices of women. They are accompanied by constant exploration and experience and the recording of the image stops between an existential and stable and a very subtle and expressive, even impulsive look.
We are talking about emotions that accompany selected authors as well as co-authors of cinema, film, video and about emotions which dominate and make the viewer see femininity anew with increased attention.
Both film and video art as well as performative creativity of women is not only a permanent part of their lives but also a proof that they co-create the indelible and bold potential of artistic and authorial cinema.
Female artistic
auteur cinema
and video art
Magdalena Komborska
Art curator
1
2
Katarzyna Swinarska
dir. Katarzyna Swinarska
Poland | Experimental | 2021 | 28’
VOD, 15th – 25th November 2021
Several women artists speak in a very
intimate way about their personal
experience of being a mother and an artist.
Whilst recording their stories, Polish streets
are teeming with female protests…
is a visual artist working with painting and video, which often follows the convention of video performance; she creates multimedia installations. Most of her works deal with the identity and corporeality of women and she usually identifies herself with the object of interest creating portraits from this internalised perspective even though not devoid of self irony.
Defiant Hearts
Zofia Krawiec
dir. Zofia Krawiec
Poland | Experimental | 2019 | 30’
It’s an experimental mini-series by an artist
Zofia Krawiec, shot with a mobile phone
depicting cyberbullying and cyberhate.
The story starts when a half-naked affirming
body positive moment picture of three
friends gets hacked and posted
on ‘Polish Sluts’ website.
is a Polish writer, artist, art
curator and cultural journalist. In 2016, Zofia
published her book ‘Love performance’
(published by Lampa i Iskra Boża) about art
works, created under the influence of strong
emotions relating to romantic relationships.
The publication was accompanied by
an exhibition under the same title (‘Love
performance’ Labirynt gallery, BWA
Tarnów).
I Burn Easily
He hit me and it felt like a kiss
dir. Zofia Krawiec
Poland | Experimental | 2014 | 02’04
Agata Zbylut
dir. Agata Zbylut
Poland | Mocumentary | 2021 | 57’
VOD, 15th – 25th November 2021
‘Remember the promise of a better
tomorrow’ has two faces - both dark.
It is based on works which artist Agata
Zbylut has created since her studies and
places them in the role of silent witnesses
who ‘testify’ against her. It features
3 characters known from the heroine’s
Instagram, played by the artist herself.
is an artist, academic, feminist, a radicalising vegetarian, and an occasional curator. Agata Zbylut studied at the Institute of Culture and Visual Arts
of the Teachers College in Zielona Góra (currently, the University of Zielona Góra) in the years 1993–1999. In 2012 she achieved the Degree of Doktor Habilitowany (Post-doctoral Degree) at the Lodz Film
School. She was appointed as the Head of Photography Department in the year 2018. Her works have been exhibited in over one hundred solo and group shows in Poland, Germany, Belarus, Russia, Ukraine, France,
Croatia, the UK and the US.
Remember the promise of a better tomorrow
.jpg)
Magdalena Komborska (art curator)
Independent curator of exhibitions and art projects, film producer, art critic and historian, painter, realizes projects REBORN DOGS New Interpretations in Art Against Non-Humanity and REBORN NOW Ways of Space Existence. She graduated from the Faculty of Artistic Education, specializing in Criticism and Art Promotion, the Faculty of Painting at the Academy of Fine Arts in Poznań and Art History at the University of Gdańsk in Gdańsk. Since 2009, she has published in numerous specialist magazines in the field of art, such as SZUM, Exit, Kwartalnik Fotografia, Format, Czas Kultury, Fragille. At that time, she curated at the [ON] Gallery of the University of Arts in Poznań until its closure in 2011. From that year, she gave lectures on Art Promotion at UAP in Poznań and monographic lectures Interactive Art in City Space at the Adam Mickiewicz University in Poznań.
